Translation status

1,297 Strings 100%
Browse Translate
69,139 Words 100%
449,707 Characters 100%

Strings status

Strings Words Characters
1,297 69,139 449,707
All strings Browse Translate Zen
1,297 69,139 449,707
Translated strings Browse Translate Zen
12 1,349 8,715
Strings with any failing checks Browse Translate Zen
12 1,349 8,715
Translated strings with any failing checks Browse Translate Zen
211 9,926 67,409
Translated strings with dismissed checks Browse Translate Zen
2 32 358
Failing check: Reused translation Browse Translate Zen
10 1,317 8,357
Failing check: XML markup Browse Translate Zen
19 1,414 9,024
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Overview

Project website madewith.cc
Instructions for translators

The translation project is located in https://gitlab.com/gunnarwolf/madewithcc-es.git, where the project admins can be contected.
Project maintainers User avatar pere User avatar gwolf User avatar elopio
Translation license Creative Commons Attribution Share Alike 4.0 International
Translation process
  • Translations can be made directly.
  • Translation suggestions can be made.
  • Any authenticated user can contribute.
  • The translation uses bilingual files.
Source code repository https://gitlab.com/gunnarwolf/madewithcc-es.git
Repository branch master
Last remote commit Translated using Weblate (Russian) 1fc4f48
User avatar gfbdrgng authored 10 months ago
Last commit in Weblate Translated using Weblate (French) e42bc6c
User avatar phantomwise authored 2 days ago
Weblate repository https://hosted.weblate.org/git/madewithcc/translation/
File mask po/*/mwcc.po
Translation file Download po/nb/mwcc.po
Last change Jan. 2, 2024, 4:19 p.m.
Last change made by None
Language Norwegian Bokmål
Language code nb_NO
Text direction Left to right
Number of speakers 5,509,730
Number of plurals 2
Plural type One/other
Plurals Singular 1
Plural 0, 2, 3, 4, 5, 6, 7, 8, 9, 10, …
Plural formula n != 1
13 days ago

String statistics

Strings percent Hosted strings Words percent Hosted words Characters percent Hosted characters
Total 1,297 69,139 449,707
Translated 100% 1,297 100% 69,139 100% 449,707
Needs editing 0% 0 0% 0 0% 0
Read-only 0% 0 0% 0 0% 0
Failing checks 1% 12 1% 1,349 1% 8,715
Strings with suggestions 0% 0 0% 0 0% 0
Untranslated strings 0% 0 0% 0 0% 0
Last 12 months Previous

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Quick numbers

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User avatar pere

Changes committed
Changes committed 10 months ago
User avatar pere

Translation changed
Tribe of Noise doesn’t pay the musicians up front; they get paid when their music ends up in Tribe of Noise’s in-store music channels. The musicians’ share is 42.5 percent. It’s not uncommon in a traditional model for the artist to get only 5 to 10 percent, so a share of over 40 percent is a significantly better deal. Here’s how they give an example on their website:
Tribe of Noise betaler ikke musikere på forhånd; de får betalt når musikken ender opp i Tribe of Noises i-butikken musikkanaler. Musikerne aksjeandel er på 42,5 prosent. Det er ikke uvanlig i en tradisjonell modell for kunstneren å bare få fra 5 til 10 prosent, slik at en andel på over 40 prosent er en betydelig bedre avtale. Her viser de et eksempel på sin hjemmeside:
10 months ago
User avatar pere

Resource updated
Parsing of the “po/nb/mwcc.po” file was enforced. a year ago
User avatar kingu

Translation changed
For Mark a key decision for Siyavula’s business was to focus on how they can add value on top of their basic service. They’ll charge only if they are adding unique value. The actual content of the textbook isn’t unique at all, so Siyavula sees no value in locking it down and charging for it. Mark contrasts this with traditional publishers who charge over and over again for the same content without adding value.
For Mark var en viktig beslutning for forretningsdriften til Siyavula å fokusere på hvordan de kan tilføre verdi i tillegg til sin grunnleggende tjeneste tilleggsverdi. De tar betalt kun hvis de legger til unik verdi av unik karakter. Selve innholdet i læreboken er overhodet ikke unikt, så Siyavula ser ikke poenget medi å låse det ned og ta seg betalt for deumaken verdt. Mark nevner at dette er svært forskjelskiller seg vesentlig fra hvordan tradisjonelle forleggere tar betalt om og om igjen for det samme innholdet om og om igjen, uten å tillegge til noen verdi av detverdi.
2 years ago
User avatar pere

Resource updated
The “po/nb/mwcc.po” file was changed. 3 years ago
User avatar pere

Translation changed
Thanks to the Internet, we can tap into the talents and expertise of people around the globe. Chris Anderson calls it the Long Tail of talent.<placeholder type="footnote" id="0"/> But to make collaboration work, the group has to be effective at what it is doing, and the people within the group have to find satisfaction from being involved.<placeholder type="footnote" id="1"/> This is easier to facilitate for some types of creative work than it is for others. Groups tied together online collaborate best when people can work independently and asynchronously, and particularly for larger groups with loose ties, when contributors can make simple improvements without a particularly heavy time commitment.<placeholder type="footnote" id="2"/>
Takket være Internett, kan vi utnytte talentene og ekspertisen til folk over hele verden. Chris Anderson kaller det <quote>den lange halen</quote> av talenter.<placeholder type="footnote" id="0"/> Men for å få samarbeid til å virke, må gruppen være effektiv i hva den gjør, og folk i gruppen må finne tilfredshet i å være involvert.<placeholder type="footnote" id="1"/> Dette er enklere å få til for noen typer kreative oppgaver enn andre. Grupper som er knyttet sammen på nettet samarbeider best når folk kan arbeide uavhengig og asynkront, og særlig i større grupper med løselig knyttede bånd, der bidragsytere kan gjøre enkle forbedringer uten å beslaglegge mye tid.<placeholder type="footnote" id="2"/>
4 years ago
User avatar pere

Translation changed
If you are successful in reaching more users, readers, listeners, or other consumers of your work, you can start to benefit from the bandwagon effect. The simple fact that there are other people consuming or following your work spurs others to want to do the same.<placeholder type="footnote" id="0"/> This is, in part, because we simply have a tendency to engage in herd behavior, but it is also because a large following is at least a partial indicator of quality or usefulness.<placeholder type="footnote" id="1"/>
Hvis du lykkes i å nå flere brukere, lesere, lyttere eller andre brukere av arbeidet, kan du starte med å benytte deg av <quote>kaste seg på lassetfølge strømmen</quote>-effekten. Det enkle faktum er at andre folk som bruker eller følger ditt arbeid, ansporer andre til å gjøre det samme.<placeholder type="footnote" id="0"/> Dette er delvis fordi vi ganske enkelt har en tendens til å engasjere oss i flokkatferd, men det er også fordi en stor følgeskare delvis er indikator på kvalitet eller nytteverdi.<placeholder type="footnote" id="1"/>
4 years ago
User avatar pere

Translation changed
Every musician who joins Tribe of Noise gets their own home page and free unlimited Web space to upload as much of their own music as they like. Tribe of Noise is also a social network; fellow musicians and professionals can vote for, comment on, and like your music. Community managers interact with and support members, and music supervisors pick and choose from the uploaded songs for in-store play or to promote them to media producers. Members really like having people working for the platform who truly engage with them.
Hver person som blir med i Tribe of Noise får sin egen hjemmeside, og gratis et ubegrenset webområde til å laste opp så mye av sin egen musikk som de vil. Tribe of Noise er også et sosialt nettverk. Andre musikere og fagfolk kan stemme for, kommentere, og like din musikk. Fellesskapsansvarlige samhandler med, og støtter medlemmer, og musikkveiledere velger og vraker fra de opplastede sangene for å avspille i-butikken, eller promoterer dem for mediaprodusenter. Medlemmene liker virkelig å ha folk som arbeider for plattformen, og som virkelig engasjerer seg med dem.
4 years ago
User avatar pere

Translation changed
Hessel sees the two as complementary. Both are needed for the model to work. With a whole generation of musicians interested in the sharing economy, the community area of Tribe of Noise is where they can build trust, create exposure, and generate money. And after that, musicians may become more interested in exploring other models like Tribe of Noise Pro.
Hessel ser de to som komplementære. Begge er nødvendige for at modellen skal kunne virke. Med en hel generasjon musikere interessert i delingsøkonomien, kan de bygge tillit i fellesskapet til Tribe of Noice, lage eksponering og få inntekter. Og etter dette kan musikere bli mer interessert i å utforske andre modeller som Tribe of Noise Pro.
4 years ago
User avatar pere

Translation changed
Instead of building a large sales force, Tribe of Noise partnered with big organizations who have lots of clients and can act as a kind of Tribe of Noise reseller. The largest telecom network in the Netherlands, for example, sells Tribe’s In-store Music Service subscriptions to their business clients, which include fashion retailers and fitness centers. They have a similar deal with the leading trade association representing hotels and restaurants in the country. Hessel hopes to <quote>copy and paste</quote> this service into other countries where collecting societies understand what you can do with Creative Commons. Outside of the Netherlands, early adoptions have happened in Scandinavia, Belgium, and the U.S.
I stedet for å bygge opp en stor salgsorganisasjon, samarbeider Tribe of Noise med store organisasjoner med mange klienter, som kan fungere som en slags Tribe of Noise-forhandler. Det største telefonselskapet i Nederland, for eksempel, selger Tribes In-store Music Service-abonnementer til sine bedriftskunder, som inkluderer moteforhandlere og treningssentre. De har en lignende avtale med den ledende bransjeorganisasjonen for hoteller og restauranter i landet. Hessel håper å <quote>klippe og lime</quote> denne tjenesten til andre land der vederlagsorganisasjoner forstår hva du kan gjøre med Creative Commons. Etter Nederland fulgte oppfølgingen i Skandinavia, Belgia, og USA.
4 years ago
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