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English type: Content of: <book><preface><para>
He was, in a way, completely correct—those who make things with Creative Commons have ulterior motives, as Paul Stacey explains in this book: <quote>Regardless of legal status, they all have a social mission. Their primary reason for being is to make the world a better place, not to profit. Money is a means to a social end, not the end itself.</quote>
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(Melvil) 025.523
(Melvil) 025.523
David Foster Wallace
大卫·福斯特·华莱士
I don’t know a whole lot about nonfiction journalism. . . The way that I think about these things, and in terms of what I can do is. . . essays like this are occasions to watch somebody reasonably bright but also reasonably average pay far closer attention and think at far more length about all sorts of different stuff than most of us have a chance to in our daily lives.
我对非虚构新闻了解不多。. .我思考这些事情的方式，以及我可以做的事情是......。...像这样的文章是一个场合，看一个相当聪明但也相当平均的人更仔细地关注和思考各种不同的东西，比我们大多数人在日常生活中都有机会。
Foreword
前言
Three years ago, just after I was hired as CEO of Creative Commons, I met with Cory Doctorow in the hotel bar of Toronto’s Gladstone Hotel. As one of CC’s most well-known proponents—one who has also had a successful career as a writer who shares his work using CC—I told him I thought CC had a role in defining and advancing open business models. He kindly disagreed, and called the pursuit of viable business models through CC <quote>a red herring.</quote>
三年前，就在我被聘为创意共享公司的首席执行官之后，我在多伦多格拉德斯通酒店的酒店酒吧会见了科里·多克托。作为CC最知名的支持者之一——作为一名使用CC分享其作品的作家，他也有着成功的职业生涯——我告诉他，我认为CC在定义和推进开放的商业模式方面可以发挥作用。他好心地不同意，并称通过CC<quote>追求可行的商业模式是一条红鱼。</quote>
He was, in a way, completely correct—those who make things with Creative Commons have ulterior motives, as Paul Stacey explains in this book: <quote>Regardless of legal status, they all have a social mission. Their primary reason for being is to make the world a better place, not to profit. Money is a means to a social end, not the end itself.</quote>
在某种程度上，他是完全正确的--正如保罗-斯塔西在本书中所解释的那样，那些用 "创意共享"（Creative Commons）来制造东西的人是别有用心的。142]无论法律地位如何，他们都有一个社会使命。他们存在的主要原因是为了让世界变得更好，而不是为了盈利。金钱是达到社会目的的手段，而不是目的本身</quote>。
In the case study about Cory Doctorow, Sarah Hinchliff Pearson cites Cory’s words from his book Information Doesn’t Want to Be Free: <quote>Entering the arts because you want to get rich is like buying lottery tickets because you want to get rich. It might work, but it almost certainly won’t. Though, of course, someone always wins the lottery.</quote>
在关于Cory Doctorow的案例研究中，Sarah Hinchliff Pearson引用了Cory在他的《Information Doesn't Want to Be Free》一书中的话。<quote>因为你想发财而进入艺术界，就像因为你想发财而买彩票一样。它可能会成功，但几乎肯定不会成功。当然，虽然总有人中彩票：</quote>。
Today, copyright is like a lottery ticket—everyone has one, and almost nobody wins. What they don’t tell you is that if you choose to share your work, the returns can be significant and long-lasting. This book is filled with stories of those who take much greater risks than the two dollars we pay for a lottery ticket, and instead reap the rewards that come from pursuing their passions and living their values.
今天，版权就像一张彩票--每个人都有一张，但几乎没有人中奖。他们没有告诉你的是，如果你选择分享你的作品，回报可以是显著的和持久的。 本书充满了那些承担比我们花两块钱买彩票更大风险的人的故事，他们反而从追求自己的激情和生活价值中获得了回报。
So it’s not about the money. Also: it is. Finding the means to continue to create and share often requires some amount of income. Max Temkin of Cards Against Humanity says it best in their case study: <quote>We don’t make jokes and games to make money—we make money so we can make more jokes and games.</quote>
所以这不是钱的问题。另外：它是。找到继续创造和分享的方法，往往需要一定的收入。 Cards Against Humanity的Max Temkin在他们的案例研究中说得最好。<quote>我们做笑话和游戏不是为了赚钱 我们赚钱是为了能做更多的笑话和游戏</quote>。
Creative Commons’ focus is on building a vibrant, usable commons, powered by collaboration and gratitude. Enabling communities of collaboration is at the heart of our strategy. With that in mind, Creative Commons began this book project. Led by Paul and Sarah, the project set out to define and advance the best open business models. Paul and Sarah were the ideal authors to write Made with Creative Commons.
共享創意的重點是建立一個充滿活力、可用的公共空間，由合作和感恩推動。促进合作的社区是我们战略的核心。有鉴于此，Creative Commons开始了这个图书项目。在Paul和Sarah的带领下，这个项目开始定义和推进最佳的开放商业模式。 Paul和Sarah是撰写《共享创意制造》的理想作者。
Paul dreams of a future where new models of creativity and innovation overpower the inequality and scarcity that today define the worst parts of capitalism. He is driven by the power of human connections between communities of creators. He takes a longer view than most, and it’s made him a better educator, an insightful researcher, and also a skilled gardener. He has a calm, cool voice that conveys a passion that inspires his colleagues and community.
保罗梦想着一个新的创意和创新模式能够战胜当今资本主义最糟糕的不平等和匮乏的未来。他被创客社区之间的人类联系的力量所驱动。他比大多数人看得更长远，这使他成为一个更好的教育家，一个有洞察力的研究者，也是一个熟练的园丁。他的声音沉稳冷静，传递出一种激情，激励着他的同事和社区。

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Translation added

  1. Made With Creative Commons
  2. Translation
  3. Chinese (Simplified)
He was, in a way, completely correct—those who make things with Creative Commons have ulterior motives, as Paul Stacey explains in this book: <quote>Regardless of legal status, they all have a social mission. Their primary reason for being is to make the world a better place, not to profit. Money is a means to a social end, not the end itself.</quote>
在某种程度上，他是完全正确的--正如保罗-斯塔西在本书中所解释的那样，那些用 "创意共享"（Creative Commons）来制造东西的人是别有用心的。142]无论法律地位如何，他们都有一个社会使命。他们存在的主要原因是为了让世界变得更好，而不是为了盈利。金钱是达到社会目的的手段，而不是目的本身</quote>。
3 years ago
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Glossary

English Chinese (Simplified)
commons Made With Creative Commons
Creative Commons 知识共享 Made With Creative Commons

String information

Source string description
type: Content of: <book><preface><para>
Source string location
MadewithCreativeCommonsmostup-to-dateversion.xml:105
String age
3 years ago
Last updated
11 months ago
Source string age
5 years ago
Translation file
po/zh_Hans/mwcc.po, string 29